Nadigaiyar Thilakam (2018)
People do a lot of things under the guise of love. They justify wrongdoings and rationalise breaking of sacred bonds with the same excuse. They sanitise guilt by saying that love conquers all. They give love such a status as if it is the one that maintains human civilisation and makes the world go around. In short, love moves mountains. Love is Grace. Love is God.
Perhaps love has been over-glorified. If we were to dissect love into subsets, maybe then the true intentions may manifest. A rose in any language may smell the same, but its thorns hurt, nevertheless. To be fascinated, to admire, to have passion, to desire, to have devotion, to like, to lust, to obsess, all denote different degrees of love. The end results in the pursuit of these ambitions may not always be a happy ending.
This film is a biopic drama of the darling of the early 1960s' Tamil silver screen, Mrs Savithri Ganesan. Savithri landed in Kollywood in the 1950s as a starry-eyed youngster. Even though failing to secure an acting role initially, she made her acquaintance with Gemini Ganesan. By a twist of fate, she finally was given a role in Kollywood and developed a relationship with an already married Gemini.
The story tells about their union, how they legitimise their wedding using love as a reason. Surprisingly this power of love only lasted as far as the going was good. When Savithri's career outshone Gemini's, he became defensive. The romance fizzled out and, hatred took over. Booze took charge to numb the pain. Love took the form of another woman. Somehow, it all made sense when Savithri was the other woman but not when she was two-timed.
Bad business decisions and naivety landed Savithri in a collision course with the Income Tax. Embroiled in debts, alcoholism and bad health, she never regained her rightful place as the doyen of the Tamil cinema but died a pauper.

Perhaps love has been over-glorified. If we were to dissect love into subsets, maybe then the true intentions may manifest. A rose in any language may smell the same, but its thorns hurt, nevertheless. To be fascinated, to admire, to have passion, to desire, to have devotion, to like, to lust, to obsess, all denote different degrees of love. The end results in the pursuit of these ambitions may not always be a happy ending.
This film is a biopic drama of the darling of the early 1960s' Tamil silver screen, Mrs Savithri Ganesan. Savithri landed in Kollywood in the 1950s as a starry-eyed youngster. Even though failing to secure an acting role initially, she made her acquaintance with Gemini Ganesan. By a twist of fate, she finally was given a role in Kollywood and developed a relationship with an already married Gemini.

Bad business decisions and naivety landed Savithri in a collision course with the Income Tax. Embroiled in debts, alcoholism and bad health, she never regained her rightful place as the doyen of the Tamil cinema but died a pauper.
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Interesting analysis. What really is love? Sure to get people thinking
ReplyDeleteAn interesting question but it may open the Pandora box. Just like how we wonder why ‘hope’ is found in the Pandora Box. Shouldn’t hope be a positive thing? But then false hope is a virtue that may destroy. Also when the Pandora box was opened, other bad attribute flew away. Hope did not.
DeleteMy optimist friends say that love will conquer all. But it is funny that sometimes we have to force ourselves to ‘love’ someone/something because of our actions/commitment. Love has a shelf-life, we make concerted efforts to renew it as its destruction has many related repercussions. Point to ponder. IMHO.
Beautifully said overrated word Anyway nothing is forever.
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