RIFLE RANGE BOY: The press feeds the public what they want, scoops!

Vadhandhi: The Fable of Velonie (Rumours; 2022)
Writer & Director: Andrew Louis

Everybody talks about wanting to know the truth. That the truth should prevail. That the truth will punish the wrongdoer. That the truth will eventually come out, sooner or later. There is a pressing need to discover the truth so that things can be put right so that man-made law can mete justice. Really?

Firstly, truth is a double-edged sword. One man's perspective of the truth can be another's blatant lie. Seeing is not believing. How often our senses have played tricks on us. So often, we have been convinced by suggestion. The police can tell that eyewitness accounts can only be believed so much. We are prejudiced by appearance, race, background and stereotyping.

Then some are so cocksure about something. Perhaps they have a vested interest or want to be in the limelight, to feel important. Maybe they like to steer the investigation the wrong way because they are involved somehow.

Remember those who spin rumours just for the kick of it. They capture our sense of curiosity to yarn tales of lies and half-truths to spice up a tragedy. Maybe they are looking for clickbait. Little do they care how negatively it would affect the grieving or affected party.

In this age of breaking news, the press would go to all lengths, low down and dirty, to scoop out scandals to whet the viewer's appetites. There is a demand for these. As we increasingly become desensitised by gore and horror, the more demand for sensationalism.

So when a pretty young thing is found strangulated at a film site, everyone gets curious. Everyone has their theory of what actually happened. The media is out to churn everything in the name of the public wanting to know. The police are on tenterhooks as pressure mounts to solve the case and find the perpetrator. In the meantime, the grieving party has to endure the hopelessness of losing a loved one, harassment of the press, accusatory fingers of the judging eyes and exposure of family wrongdoings that were kept under wraps for so long. The victim and her family are trialled in media from the public lens. In the meantime, fiction writers start their storytelling trade under the guise of wanting to discover the truth. At the same time, they do not fail to mention that their story is based on actual events. Just how much it is related to true events is where it gets blurred.